A Brief History of Title Design from Ian Albinson on Vimeo.
Interestingly, upon reflecting on the impact of film titles, I realize that, though titles are an important aspect of the opening moments of a film, I must confess that (unlike other products of “design”) I only take note of them when they are particularly striking or unique. Otherwise, they tend to fade into memory rather unceremoniously.
The video above is a quick trip through the history of some of the most memorable film title sequences produced. Included are some of my favorite title sequences, such as: those from the television series Dexter, the classic 90’s film, Seven, and the recent James Bond production, Casino Royale (perhaps, my top choice overall).
Looking at these clips, I wonder: Who is it that decides how much creative time and talent to devote to title sequences — the producer…or director? Or, are certain studios or movie genres more apt to utilize the titles as an integral part of the overall film experience?
Years ago designer Saul Bass explained how he approached film title sequences to me when I interviewed him for an article. “Find an image that will be provocative, seductive yet true to the film,” he said. “It has to have some ambiguity, some contradiction, not only visually but conceptually. Not just isolating the prettiest frame, but finding a metaphor for the film.“
Beginning with his 1955 work on Otto Preminger’s “The Man with the Golden Arm,” Bass transformed the way film title sequences were perceived forever. He approached the task with a graphic designer’s eye, so that stills from his title sequences easily translated into a powerful iconic poster for the movie.
Reducing the visual communications about a film to a single image was a daring notion at the time. Bass recalled that before he did “The Man with the Golden Arm,” films had been promoted with montages consisting of salient elements of the story. “The conventional wisdom on how to sell a film was the ‘see, see, see’ approach,” he said. “See the missionary boiled in soil. See Krakatoa blow its top. See the virgins dance in the temple of doom. The theory was that if you talked a film in pieces, there would be something for everyone.“ This interview with Saul came to mind as I watched “A Brief History of Film Titles” edited by Ian Albinson for the website “Art of the Title.” As the titles in the video folded one into another, I could see where Bass came in and influenced generations of designers of film title sequences thereafter.
*cf
I always enjoy having the opportunity to hear the behind-the-scenes details of the design process. Whether the final product is architectural or graphic in nature, there is great value in understanding - and sharing - the often meandering path that leads to the ultimate design.
Mr. Bierut’s commentary about the inspiration behind the NSW logo is exemplary of the level of thought and creativity that leads to the most successful work.
*cf
I attended a presentation by Mr. Sinek this afternoon and it was quite engaging. In the TED video above, you get a taste of what he offers.
However, in his presentation today, Sinek expounded upon the “WHY” and made an important observation that authenticity is a key component of fulfilling a long-term vision and the “WHY”. And in his definition of the word, he drove the point home.
“Authenticity” is, very simply, made up of three things:
- The clarity of WHY
- The discipline of HOW
- The consistency of WHAT
The “HOW” and “WHAT” communicate your “WHY”.
If you have the opportunity to see Mr. Sinek in person, I would recommend doing so. As he explained today, Sinek focuses on the “WHY” because it is the foundational connection between emotion, inspiration and leadership. It is what separates the most successful companies and individuals from those that simply do “what” they do “how” they do it.
*camille
