These ads (real?) for Dockers are very cool. They have a rustic feel to them and the compositions are great, as well. I’ve never seen this anywhere in print, but…I’d like to.

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A quickie: These cards caught my eye with the fun use of color. The application is quite unique, but not overly complicated.

The rest of the identity package can be seen at the link.

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Typically, logo designers working with Regular Businesses design with practical considerations in mind: “What does this look like in one color?”, “Does it fax well?”, “Can it be executed consistently across all media?”, etc.

In an interesting (and well-executed) switch, the designers of the new logo for the National Maritime Museum thought outside of the logo box and created a very appropriate and beautiful 3-dimensional “splash” identity that is a pleasure to see in all its different uses (click the link to see images). As a bonus, the hidden imagery in the rendering makes the mark all the more fun to take in (do you see the ‘crown’ representing the Queen?).

While this is not necessarily the most practical of designs, I look forward to seeing how the identity is used over time…and whether it inspires more experimentation with the definition of a “logo.”

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The simple illustrations featured on this set of cards for an Italian eatery (Pronto) in Moscow are pleasantly executed and, presumably, let the food do the talking.

Though Pronto is a chain of restaurants, the stationary gives a sense that there is an old-school chef carefully preparing each and every dish.

*camille

In a time where online communications often trump personal interaction, this identity suite is I nice switch - focusing on tactile elements. And, really, what’s not to love about hand-stitched stationary?

*camille

Drink coasters have become the perfect canvas for compact works of art. And, the thick stock provides a great opportunity for experimenting with letterpress and embossing techniques, as well.

This calendar project, for Meadowlark Creative, is a nice collection of playful illustrations to be enjoyed year-round.

*camille

The post linked above is a great overview of Pentagram’s design work for the 11-year (so far) project Friends of the High Line. The group’s efforts have been dedicated to the preservation of a length of raised train tracks in New York City, called the “High Line.”

Friends of the High Line succeeded in their work and this pedestrian-friendly attraction is now one of the favorites among tourists and, presumably, New Yorkers alike. The team at Pentagram must be proud to have played a part in such a terrific cause.

To paraphrase the famous movie line: “If you don’t tear it down, but make it stunning instead - they will come.”

Many more images at the link…

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Fabien Barral does beautiful, artistic work and this piece is no exception. The multi-layered imagery used here is very suited to highlighting the work of a fine artist and craftsman like Mr. Mandin.

More images at the link…

*camille

Colorful and bold, this contemporary take on the typical pizza box is nicely executed. I’m also fond of the creative logo design. The incorporation of the portrait into the composition creatively done.

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The rebrand of this UK restaurant chain is a nice is a refreshing update that maintains the character of the original. The chef icon has been simplified, and the friendly script used for the new wordmark is appealing in its playfulness.

In addition to these changes, however, I’m particularly fond of the new “to-go” packaging and labels; as well as the colorful trays and signage that integrate the look of the rebrand throughout the restaurant.

Lots of great images at Brand New. I encourage you to check them out.

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I’m loving the elegance of this identity suite for New York’s Silver Lining Opticians. It features a great mix of fonts and there’s a nice consistency between each piece.

This is a pleasing way to start the week, if I do say so myself!

Click the image above for more photos at Letterhead Love…

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